As they argue, a psalm is sung in the room downstairs. Abigail angrily mocks John for denying his true feelings for her. Abigail still harbors feelings for John and believes they are reciprocated, but John denies this. It is revealed that Abigail once worked as a servant for the Proctors, and that she and John had an affair, for which she was fired. He sends the other girls out (including Mary Warren, his family's maid) and confronts Abigail, who tells him that she and the girls were not performing witchcraft. John Proctor, a local farmer and husband of Elizabeth, enters. Betty then faints back into unconsciousness. The other girls are frightened of the truth being revealed (in actuality, they tried to conjure a curse against Elizabeth Proctor) and being labelled witches, so they go along with Abigail.
Abigail coerces and threatens the others to "stick to their story" of merely dancing in the woods. The other girls involved in the incident join Abigail and a briefly roused Betty, who attempts to jump out of the window. At the Putnams' urging, Parris reluctantly reveals that he has invited Reverend John Hale, an expert in witchcraft and demonology, to investigate and leaves to address the crowd.
Afterwards, the wealthy and influential Thomas Putnam and his wife, Ann arrive. Abigail denies they were engaged in witchcraft, claiming that they had been dancing. He questions the girls' apparent ringleader, his niece Abigail Williams, whom Parris has been forced to adopt after her parents were brutally killed in King Philip's War. Parris becomes concerned that the event will cause him to be removed from his position as the town's preacher. The village is rife with rumors of witchcraft and a crowd gathers outside Rev. The previous evening, Reverend Parris discovered Betty, some other girls, and his Barbadian slave, Tituba, dancing naked in the forest and engaged in some sort of pagan ritual. His ten-year-old daughter, Betty Parris, lies motionless. The remainder of Act One is set in the attic of local preacher Reverend Samuel Parris. The narrator speculates that the lack of civil liberties, isolation from civilization, and lack of stability in the colony caused latent internal tensions which would contribute to the events depicted in the play. The opening narration explains the context of Salem and the Puritan colonists of Massachusetts, which the narrator depicts as an isolated theocratic society in constant conflict with Native Americans. It is regarded as a central work in the canon of American drama.
A year later a new production succeeded and the play became a classic. The production won the 1953 Tony Award for Best Play. Miller felt that this production was too stylized and cold, and the reviews for it were largely hostile (although The New York Times noted "a powerful play driving performance"). Marshall, Beatrice Straight and Madeleine Sherwood. The play was first performed at the Martin Beck Theatre on Broadway on January 22, 1953, starring E. Miller was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. It is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Massachusetts Bay Colony during 1692–93. The Crucible is a 1953 play by American playwright Arthur Miller. For other uses, see The Crucible (disambiguation).
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